![]() Noah, who shared her The End of Everything EP this year, joined Miley for a performance of the younger Cyrus’ “I Got So High That I Saw Jesus.” The sisters, both dressed in sleek black leather, traded harmonies for a truly angelic delivery.Ĭyrus closed out her Backyard Session s with a performance of her smash recent single, “Midnight Sky.” She delivered the powerful melody underneath sparkling disco balls in a chartreuse sequined dress, swaying her hips to the beat for a glamorous end to an enchanting show. She flawlessly belted Pearl Jam‘s 2009 ode to gratitude, “Just Breathe,” a phrase that Cyrus also has tattooed on her ribcage. 2023 Movies Movie Reviews Movie Genres Movie Keywords. She kicked off the show with a rocked-out rendition of Spears’ 2007 hit “Gimme More.” The dark twist on the mid-2000s pop track was made complete with Cyrus’ characteristic rasp and Southern twang.įollowing the grit of “Gimme More,” Cyrus smoothed it out with a breezy cover of Nico’s 1967 track “These Days.” Surrounded by palm trees with red paper hearts hanging from the leaves and the sunlight shining behind her, the singer had us holding onto summer as she sang, “These days I seem to think about / How all the changes came about my ways / And I wonder if I’d see another highway.”Īfter a quick outfit changed, Cyrus appeared at golden hour in a snakeskin gown, big gold hoops and a sparkling green eye look. On January 28, 2014, the American artist Miley Cyrus performed in the show from Los Angeles. (Stranger things have happened, though, especially in the TikTok age.) The woozy “Handstand,” a psych-pop-sex-jam-freakout that feels like it could spin off into its own album, has writing and production credits that include provocateur Harmony Korine Cyrus’ voice bleeds into the maelstrom surrounding it as she brags about her physics-defying carnality.Cyrus strutted onto her at-home stage looking like an 80s dream in a flowy zebra-print dress, matching gloves, big black-and-white sunglasses, gold accessories and, of course, her blonde mullet and a red lip. Cyrus summons her raspiest bellow for the chorus, which feels slapped in from another song and heightens the feeling that this particular track was more pointed catharsis than a candidate for the pop charts. Sia shows up on the vicious “Muddy Feet,” a spiteful rebuke to a straying partner her vocals are for the most part in the background, although the sing-song pre-chorus is a bright neon sign pointing to her involvement. If you had Brandi Carlile and Mike WiLL Made-It appearing on the same song on your 2023 musical bingo card, congratulations, as the psych-country-pop cut “Thousand Miles” features contributions from both it’s one of the album’s more compelling tracks, with the restlessness in its lyrics matched by the clamor surrounding Cyrus’ and Carlile’s well-matched voices, and the hiccupping harmonica outro implying that the road down which Cyrus is driving her “beat-up old Mercedes” isn’t about to end anytime soon. ![]() Why Anti-Trafficking Experts Are Torching 'Sound of Freedom'Ĭyrus’ list of collaborators over the years has been as varied as it is lengthy, and Endless Summer Vacation continues that trend. “Violet Chemistry,” one of the album’s sweetest pieces of ear candy, is a slick closing-time come-on that recalls Timbaland’s mid-‘00s imperial phase. “Wildcard” is galloping country-rock, Cyrus opening up her voice wide as she mulls over the conflict between her unbridled spirit and her desire for love. “River” is thumping synth-pop with a soaring chorus that contrasts with the second verse, which is delivered in a deadpan monotone that makes its confessions of love feel more incredulous. “Jaded” is a swirling breakup cut that’s part “Wrecking Ball,” part “Déjà Vu,” with Cyrus’ rasp slicing through the haze of guitars on the regret-wracked chorus. Throughout Endless Summer Vacation, Cyrus shows off the malleability of her voice, a brawny, rough-edged, bellow that can curve into a beguiling coo when the moment requires. Cyrus’ eighth album Endless Summer Vacation, which was teased by the coolly resilient statement of independence “Flowers,” feels like a recap of her career’s 15-plus years, with Cyrus breezing through genres with the ease of a well-seasoned tourist. She’s had hits with purgative power ballads and candy-coated odes to America she’s made forays into synthpop, psychedelia, country, and art-rock and she’s played with the public’s idea of what someone in her position owes the world. Since the double-life Disney sitcom Hannah Montana debuted in 2006, Miley Cyrus has played with the idea of pop star as persona vehicle.
0 Comments
Leave a Reply. |
AuthorWrite something about yourself. No need to be fancy, just an overview. ArchivesCategories |